The Theatre of the Absurd的意思|示意
荒诞派戏剧
The Theatre of the Absurd的网络常见释义
荒诞剧场 内(Jean Genet, - )等的「荒诞剧场(The Theatre of the Absurd),甚至今 日仍在世界戏剧学术领域的美国谢喜纳(Richard Schechner ,— )和七 O
荒诞派戏剧 【摘要】： 正 荒诞派戏剧(The Theatre of the Absurd)是第二次世界大战以后首先在法国舞台初露头角,继而逐渐扩展到欧美,并成为统治整个西方现代剧坛的一个重要文学流派。
荒谬剧场 那时候「荒谬剧场（the Theatre of the Absurd）已经开始在 巴黎成形，但是还没有组织，也还没成功。
The Theatre of the Absurd相关例句
The Theatre of the Absurd, which was born in France in 1950s, toppled over the conception of traditional plays.
本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。
Waiting for Godot of Samuel Beckett is regarded as the classical works of the Theatre of the Absurd and it greatly embodies the artistic features of the Theatre of the Absurd.
贝克特的《等待戈多》被视为荒诞派戏剧的经典之作，它集中体现了荒诞派戏剧的艺术特色。
The Zoo Story was written by Edward Albee, the leading figure of the Theatre of Absurd, in 1959, the uniqueness of which lies in the fact that it combines reality with philosophical thinking.
《动物园故事》是美国“荒诞派”戏剧的杰出代表爱德华·阿尔比创作于1959年的成名作。
Beckett abandoned the traditional treatment of dramatic ingredients and in doing so gave birth to a new theatre - Theatre of the Absurd.
贝克特颠覆传统戏剧要素，开创了一种戏剧新形式“荒诞派戏剧”。
The Theatre of the Absurd, which came into being in the fifties of the last century, totally subverts the ideas of traditional drama.
上世纪五十年代欧美兴起的荒诞派戏剧彻底颠覆了传统戏剧，根本改变现有的戏剧观念。
The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。